Video/hypothesis | bernadettekamfulee.it

BERNADETTE , known as

Bernadette Kam Fu LEE

as well as Kam Fu Bernadette LEE-PISAPIA , A FINE ARTIST and a Self-published author

Art , not for sale except for prints and artist books solely handled by Laboratorio Fratelli Manfredi.( previously known as Mavida)

Bernadette does not sell her pieces since her retrospective in Florence ( 1983-1993, Grande Quadri. Quadri Invendibili)

whoever sells you works by Bernadette after that date could be of stolen pieces.

Kindly inform Bernadette via email: leekamfubernadette@pec.it

Bernadette’s diary-

37th book on Apple Books for free reading:

The dream of the whispering breeze ( The breeze of the whispering dreams)

10/06/2024

ISBN 978-988-70365-2-4

39th volume: Dongguan, my father's hometown, published 19/09/2024

My Guilin 2024 is a new form of autobiography: a summary of my artistic diary form the past, present and the future

5 August 2024 is a video I realised on ' My trip to Venice' which covers the Venice Biennale 2024 -" Foreigners everywhere'- and the exhibition on De Kooning L'talia ( Gallerie dell'Accademia di Venezia)

photos 40 years later:

with Padre Gianni in Dec 1983, Hong Kong

with Don Italo. Mazzano Romano, Oct 2023

on Apple Books

for free reading

under author:

Last name: LEE-PISAPIA

first name: Kam Fu Bernadette

LEE-PISAPIA Kam Fu Bernadette or LEE Kam Fu Bernadette

( order of name used in Hong Kong and Italy

alias

Kam Fu Bernadette LEE-PISAPIA ( alias Kam Fu Bernadette LEE PISAPIA)

(order of name used in Britain, Canada )

alias

Bernadette Kam Fu LEE ( maiden name)(artist name)

LEE-PISAPIA, Kam Fu Bernadette

(order and form ( with a comma in between ) generally used in Hong Kong to distinguish

last name from first name)

Kam Fu Bernadette LEE-PISAPIA

(order generally used in Britain and Canada )

penname: Bernadette K. Pisapia, Kam Fu Pisapia, Lee-Pisapia Kam Fu Bernadette

Bernadette is the writer as well as the publisher

the name chosen for the publisher ( not a registered company ) has two

formats:

LEE-PISAPIA, Kam Fu Bernadette ( Hong Kong format), or LEE-PISAPIA Kam Fu Bernadette ( Italian format) . Therefore, the comma in between does not mean two distinct individuals as it is used to distinguish the last name and the first name in the Hong Kong format. For the other format, capital letter has been used to indicate the LAST NAME from the first name.

( from 06/09/2023, the Italain format is officially transformed to LEE Kam Fu Bernadette coniugata PISAPIA . However, the fully extended writing of my hyphenated Last Name is still maintained as my Canadian and Hong Kong identity : Kam Fu Bernadette LEE-PISAPIA)

NOTE:

email : ahfu@bernadetteleepisapia.it has previously been compromised and therefore please use the email:

kamfubernadette@icloud.com or leekamfubernadette@gmail.com to contact me.

Thank you.

Bernadette

05/05/2023

Hong Kong

student name used in Italy:

LI (last name)

Kam Fu Bernadette ( first name)

videos Per Padre Gianni can be viewed on my other website:www.bernadetteleepisapia.it especially realised by Bernadette for the family of Padre Gianni in Mazzano Romano and Capranica, Italy, thanking them for their hospitality

hypothesis note book- initial search on Chinese calligraphy as expressive form began in 1982

This catalogue is a reworking of the theme from an etmological point of view, less based on an attitude of traditional research as done in previous years, but from an intuitive, random approach by digging into one's self lived internal experience towards a sign, allowing other parts that are often overlooked or taken for granted to emerge ( due to the belief that a one sided scholarly approach might or might not assist a visual baggage of language to fully develop )

Therefore, at a glance, it seems unjust not to give full credits to some important masters on Chinese Calligraphy, from whom I had initially studied on its etymological aspect, such as the case of the missionary priest Rev. Father Wieger 's Chinese Characters , which I appreciated and used for many years as points of departure especially when the other original source seemed to prove insufficient.

Such conscious effort of leaving the tracks paved by Rev. Father Wieger was necessary as I was born Chinese, and my inner understanding of those Chinese characters have taken on a role differently especially after having gone through attempts of understanding their pattern as a western pictorial artist

The putting together of both ( internal grasp of the ideograms from either a lived experience as someone born Chinese and practiced Calligraphy when young and external understanding derived from western training of understanding spatial realities ) had not been consciously positioned to play against one another

This idea began in 2013 and is somehow continuing in various directions, which includes a necessity to come back to observe nature- as the first person who observed nature and turned them into signs, in order to communicate to the others - which later became the basis of the birth of Chinese ideograms, which we have inherited without having completely detached ourselves from such roots

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