Watching Cezanne | bernadettekamfulee.it

BERNADETTE , known as

Bernadette Kam Fu LEE

as well as Kam Fu Bernadette LEE-PISAPIA , A FINE ARTIST and a Self-published author

Art , not for sale except for prints and artist books solely handled by Laboratorio Fratelli Manfredi.( previously known as Mavida)

Bernadette does not sell her pieces since her retrospective in Florence ( 1983-1993, Grande Quadri. Quadri Invendibili)

whoever sells you works by Bernadette after that date could be of stolen pieces.

Kindly inform Bernadette via email: leekamfubernadette@pec.it

Bernadette’s diary-

37th book on Apple Books for free reading:

The dream of the whispering breeze ( The breeze of the whispering dreams)

10/06/2024

ISBN 978-988-70365-2-4

39th volume: Dongguan, my father's hometown, published 19/09/2024

My Guilin 2024 is a new form of autobiography: a summary of my artistic diary form the past, present and the future

5 August 2024 is a video I realised on ' My trip to Venice' which covers the Venice Biennale 2024 -" Foreigners everywhere'- and the exhibition on De Kooning L'talia ( Gallerie dell'Accademia di Venezia)

photos 40 years later:

with Padre Gianni in Dec 1983, Hong Kong

with Don Italo. Mazzano Romano, Oct 2023

on Apple Books

for free reading

under author:

Last name: LEE-PISAPIA

first name: Kam Fu Bernadette

LEE-PISAPIA Kam Fu Bernadette or LEE Kam Fu Bernadette

( order of name used in Hong Kong and Italy

alias

Kam Fu Bernadette LEE-PISAPIA ( alias Kam Fu Bernadette LEE PISAPIA)

(order of name used in Britain, Canada )

alias

Bernadette Kam Fu LEE ( maiden name)(artist name)

LEE-PISAPIA, Kam Fu Bernadette

(order and form ( with a comma in between ) generally used in Hong Kong to distinguish

last name from first name)

Kam Fu Bernadette LEE-PISAPIA

(order generally used in Britain and Canada )

penname: Bernadette K. Pisapia, Kam Fu Pisapia, Lee-Pisapia Kam Fu Bernadette

Bernadette is the writer as well as the publisher

the name chosen for the publisher ( not a registered company ) has two

formats:

LEE-PISAPIA, Kam Fu Bernadette ( Hong Kong format), or LEE-PISAPIA Kam Fu Bernadette ( Italian format) . Therefore, the comma in between does not mean two distinct individuals as it is used to distinguish the last name and the first name in the Hong Kong format. For the other format, capital letter has been used to indicate the LAST NAME from the first name.

( from 06/09/2023, the Italain format is officially transformed to LEE Kam Fu Bernadette coniugata PISAPIA . However, the fully extended writing of my hyphenated Last Name is still maintained as my Canadian and Hong Kong identity : Kam Fu Bernadette LEE-PISAPIA)

NOTE:

email : ahfu@bernadetteleepisapia.it has previously been compromised and therefore please use the email:

kamfubernadette@icloud.com or leekamfubernadette@gmail.com to contact me.

Thank you.

Bernadette

05/05/2023

Hong Kong

student name used in Italy:

LI (last name)

Kam Fu Bernadette ( first name)

videos Per Padre Gianni can be viewed on my other website:www.bernadetteleepisapia.it especially realised by Bernadette for the family of Padre Gianni in Mazzano Romano and Capranica, Italy, thanking them for their hospitality

Watching Cezanne from Cinema is a visual diary taken from my video clips - taken while watching the film on Cezanne :ritratti di una vita by Phil Grabsky

it was shown in Florence, Italy for two days, at the Cinema Odeon

the Film is centered much on the exhibition ; ( Cezanne Portraits) which began in Paris then to London and is now at the National Gallery in Washington D.C ( until 01/07/2018)

For those who have not got a chance to see the exhibit, the film might be good as a glimpse of certain famous works of our great painter.

I was happy to see his studio and the locations where these works were inspired

my personal thoughts on Cezanne:

Life is rendered not as passing

but in its non passing

the everlasting value revealed by God found in Nature

And it is in its unfading strength of Nature

found in colour

expressed in our understanding of planes

deep down

that the eternal is once again present

and perhaps as the